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(51.5058 -0.1388, 51.505 -0.138) 


LOCAL PHOTOS
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Credit: Stable Diffusion
TUM image id: 1675076090
Licence: CC BY 2.0
Transmission
TUM image id: 1509553463
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The 52 bus
TUM image id: 1556876554
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’The Café Royal’ (1911) The huge variety of public leisure interiors – cafés, music halls and clubs among them – depicted by artists linked to the Camden Town Group reveal their enthusiasm for and direct engagement with the new entertainment and refreshment spaces of modern urban life. The leisure districts of early twentieth-century central London were safer, better lit and more easily accessible than they had been in the 1890s, and the expansion of the Underground network and the rise in motorised travel allowed many more people the opportunity to enjoy a daytrip to the city. Writing in 1902, the journalist George Sims imagined the ideal metropolitan excursion in an article entitled ‘A Country Cousin’s Day in Town’. Beginning with a trip to Madame Tussaud’s, a ride to Tower Hill on the Metropolitan Railway, and a refreshment stop at Pimm’s luncheon counter, the morning would end with a stroll around the Royal Aquarium, a visit to St James’s Hall in Piccadilly and to the nearby Egyptian Hall. The evening would commence with dinner in the artists’ room at Pagani’s, a visit to the ‘poetic and beautifully draped’ ballet at the Alhambra Theatre, a ‘long glass of lager’ in the continental style at the cosmopolitan Hotel de L’Europe with its Parisian inspired décor, and a visit to the latest moving picture show at the Palace Theatre. After catching the end of the ballet at the Empire, the evening would draw to a close with a peep into the ‘luxurious Criterion bar and American café’, a glance at the seafood display in the window of Scott’s, and a leisurely nightcap at the Café Royal ‘seated comfortably on a luxurious lounge’.
Credit: Charles Ginner (1878–1952)
TUM image id: 9532667
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In the neighbourhood...

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Credit: Stable Diffusion
Licence: CC BY 2.0


Piccadilly Theatre (2007)
Credit: Turquoisefish
Licence: CC BY 2.0


A Friday Evening Discourse at the Royal Institution; Sir James Dewar on Liquid Hydrogen (1904)
Credit: Henry Jamyn Brooks
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London Library, 14 St James’s Square. The London Library is a self-supporting, independent institution. It is a registered charity whose sole aim is the advancement of education, learning and knowledge. The adjacent building (13 St James’s Square) is the High Commission of Cyprus.
Credit: Wiki Commons/GrindtXX
Licence: CC BY 2.0


The Marie Antoinette Suite at the Ritz Hotel, Piccadilly (1914)
Credit: Architectural Record Company, New York
Licence: CC BY 2.0


Royal Academy of Arts, Burlington House, Piccadilly
Credit: Simon Gunzinger
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Street view of St George’s Hanover Square (1787). An aquatint, by T. Malton.
Credit: British Library
Licence: CC BY 2.0


The Queen’s Theatre in the West End (2011), then showing the musical "Les Misérables"
Credit: Andreas Praefcke
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Albany Courtyard leads to The Albany
Credit: Wiki Commons/Ham
Licence: CC BY 2.0


Musicians waiting for work on Archer Street. In the twentieth century, Archer Street became known as a meeting point for West End musicians. The street became this hub due to its proximity to workplaces (nearby theatres and clubs) and places to drink and socialise. The Apollo and The Lyric both had stage doors which opened onto the street. Meanwhile, the Musicians’ Union London Branch was also here - musicians would go there between a matinee and an evening performance in the many theatres nearby, or to find a deputy, or just to meet friends and colleagues.
Credit: Musicians Union
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